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Short Stories, Novels and Dramas

Today, the forms of writing we see are the ones altered and worked upon over a certain period of time. Creative writing is a form of writing that differs widely from research paper writing or technical writing. 


This writing tests the imagination and creative ability of an individual. For example, a newspaper report is a form of writing but does not come into the category of a creative one. 


Similarly, even in a research paper writing, the writer’s sole purpose is to focus on his topic and highlight points in its favor as well as critically analyze it but cannot express his views in the paper. 


In this category, we have a few of the most famous works- short stories, novels, and dramas.


All three are important to be known by students who need assignment help in literature. 


Short stories refer to a brief work of prose fiction and they are very different from huge novels and dramas. Thus, they can be said to be a shorter version of the novels. 


This can be stated because most of the terms for analyzing the types, component elements, as well as narrative techniques of the novel are applicable to short stories as well. 


The short stories differ from anecdotes because the short stories, like the novel, organize the action, the dialogues of the characters, and the plot, in such an artful pattern that is aimed at achieving effects on the audience while the anecdotes give an unelaborated narration of a particular incident. 


Just as the plot of a novel can be comic, satiric, tragic, or romantic, the short stories are too presented to us from different points of view and thus may be written in the natural, real and fantastic mode.


In the case of tales, the focus of interest is primarily on the course as well as the consequence of the events as happens in Edgar Allan Poe’s The Gold Bug, and in several other tales of detection, in the stories of O. 


Henry as well as in the well-contrived adventure, western and detective stories in popular magazines. On the other hand, the stories of characters focus less on the psychological state of the protagonist and more on the state of mind or emotion, as well as his moral qualities. 


An example of this can be the stories of Anton Chekhov, in some of which we only see a conversation as well as an encounter between two people. Ernest Hemingway’s A Clean, Well-Lighted Place, consists of only a curt dialogue between the two waiters, 


who converse about an old man who gets drunk daily and stays in the cafe till it closes. After that, it is followed by a brief mediation by one of the waiters. In other types of short stories, we see a balance of interest between the extra action as well as the character. 

The term novel is applied to a great world of writings that popularly include fiction written in the form of prose. It also differs from the short story and the novella in the fact that its magnitude allows a wider variety of characters, motives than do the shorter ones greater complication of the plot. An important predecessor of the novel was the picaresque narrative that emerged in Spain in the sixteenth century.


Picaro was the protagonist who went on a series of adventures throughout the novel and the one who witnessed the least development of his character throughout the novel. 


These fictions were episodic in nature and consist of events that were held together just as a device they happened to the particular character. 


For example, Mark Twain’s The Adventures of Tom Sawyer and The Unfortunate Traveller by Thomas Nashe. Cervantes’ Don Quixote was a great picaresque narrative and the single most progenitor of the modern novel. 

The novelist Daniel Defoe gets the credit of writing the first novel of character with his writing of Robinson Crusoe wherein, he gave it an enforced unity of action. 


On the other hand, the credit for writing the first novel of character or the psychological novel goes to Samuel Richardson when he wrote Pamela. In both these types of novels, there exists a difference. 


While in the latter, the focus is on the protagonist motives for what he or she does and how will this character come out to be at the end of the novel, the former focuses on what the protagonist will do next and how the story will progress. 


In the modern and the postmodern era, this focus on the character of the novel was expanded to his or her thinking, when writers like Virginia Woolf, James Joyce, D. H. Lawrence, and others focused on the stream of consciousness. 

Moving on, we have epistolary novels next in the types of novels. Samuel Richardson’s Pamela is a great example of it. Such a narrative is entirely conveyed through the exchange of letters taking place, between the characters, throughout the novel. 

This form gained impetus with the advent of the Georgian era. Jane Austen was a prominent novelist in this era. Austen’s vivid portrayal of society and the then concept of love and marriage in almost all her novels again gives the reader an insight into that era. Her most popular novel is Pride and Prejudice- a clear glimpse into the position of women in that era and the stereotypical mold that was set for them, which the protagonist Elizabeth Bennet refused to fit in. 

Next, we come to dramas, which trace their origin in the Middle Ages but got prominence with Shakespeare. Shakespeare was an Elizabethan era dramatist who wrote histories, comedies, tragedies, tragicomedies, and the like. 


The motive of those immediately succeeding Shakespeare, in the Augustan era, was to highlight the Folies of men and women in the society and to highlight it in the most vivid sense. 


Drama, after the Augustan era, was taken over by the novels and only saw rise again in the modern era, when writers like Samuel Beckett and Henrik Ibsen took to writing them. Here dramas highlighted the plight of men and their psychological being. 

The information provided is sufficient enough to provide assignment help to students. 


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